"Marvelous!" Pestsov was saying in his mellow bass.
" How are you, Konstantin Dmitrievitch? Particularly sculpturesque and plastic, so to say, and richly colored is that passage where you feel Cordelia's approach, where woman, _das ewig Weibliche,_ enters into conflict with fate.
Isn't it?" "You mean...what has Cordelia to do with it?" Levin asked timidly, forgetting that the fantasia was supposed to represent King Lear.