He had noticed often that even in actual praise technique was opposed to essential quality, as though one could paint well something that was bad.

He knew that a great deal of attention and care was necessary in taking off the coverings, to avoid injuring the creation itself, and to take off all the coverings; but there was no art of painting--no technique of any sort--about it.

If to a little child or to his cook were revealed what he saw, it or she would have been able to peel the wrappings off what was seen.

And the most experienced and adroit painter could not by mere mechanical facility paint anything if the lines of the subject were not revealed to him first.